Melbourne

Part One: Mapping the City

Cunningham opens by establishing her credentials as a Melbourne native and obsessive walker. She introduces the concept of psychogeography—how the physical environment affects emotions and behavior—as her framework for understanding the city. Melbourne, she argues, is best understood on foot, at the pace where its layers become visible.

The book's structure mirrors the city itself: non-linear, full of detours and unexpected connections. Cunningham moves between personal memory, historical research, and present-day observation, just as a walk through Melbourne might move between eras.

Part Two: Weather and Character

Perhaps no chapter captures Melbourne's essence better than Cunningham's exploration of weather. The city's climate—cool, changeable, often four seasons in one day—has created a distinct culture. Melburnians are obsessed with weather apps. They dress in layers. They've created an entire café culture around the need for indoor refuge.

But Cunningham goes deeper, showing how weather has shaped Melbourne's literary and artistic character. The grey skies and cold winters, she suggests, have contributed to the city's introspective, bookish reputation compared to sunny Sydney.

Part Three: The River

The Yarra River is Melbourne's spine, yet Cunningham notes how often it's dismissed or ignored. Her chapters on the river reclaim its centrality, tracing the Wurundjeri relationship with Birrarung (the river's Aboriginal name) and following its course from the mountains to the bay.

She addresses the old joke about the Yarra flowing upside down (brown on top), explaining the tea-tree oils that color it and defending the river's ecological importance. The Yarra, she argues, is Melbourne's connection to deep time and its environmental conscience.

Part Four: Immigrant Layers

Melbourne's identity cannot be separated from immigration. Cunningham traces waves of arrivals: Chinese miners during the 1850s gold rush, Greek and Italian refugees after WWII, Vietnamese boat people in the 1970s, and recent African communities.

Each wave transformed neighborhoods: Carlton became Little Italy, Richmond became Little Saigon, Footscray evolved into a new multicultural hub. Through food, architecture, and community institutions, immigrants wrote themselves into Melbourne's story.

The chapter on Carlton's transformation is particularly vivid. Cunningham shows how Italian espresso culture, initially mocked by Anglo Australians, eventually conquered the country and gave Melbourne its identity as Australia's coffee capital.

Part Five: Architecture and Memory

Buildings embody collective memory, and Melbourne's preservation battles reveal deep conflicts about identity. Cunningham chronicles the Green Bans of the 1970s, when construction unions refused to demolish historic buildings, essentially inventing heritage activism.

She walks through Hoddle Grid (Melbourne's original street plan), along heritage laneways, and through Victorian terraces, showing how each building represents a choice about what to remember. The ongoing tension between development and preservation, she argues, is really about what kind of city Melbourne wants to be.

Part Six: Walking as Method

Throughout the book, Cunningham advocates walking as the essential way to know a city. She provides implicit guides to her favorite routes: along the Yarra, through the northern suburbs, into hidden laneways. Walking, she argues, is democratic, sustainable, and revelatory in ways that driving never can be.

The book ends with a meditation on how cities change while remaining themselves. Melbourne in 2020 is vastly different from 1970, yet recognizable. The city's character persists through its laneways, its weather, its coffee, its layers of history visible to anyone willing to walk and look.